Abraham Rattner's style of figurative expressionism combined traditional themes with the formal elements of Modernism. The theme of the crucifixion grew out of Rattner's reaction to World War II. For Rattner, the crucifixion became a symbol of man's condition. He included himself in this spiritual examination when he said, "It is myself that is on the cross, though I am attempting to express a universal theme-man's inhumanity to man." In Yellow Crucifixion Rattner shatters and reassembles the image of a figure on a golden cross. The brightly colored facets of thick paint and the delineating black lines are reminiscent of the Gothic stained glass windows Rattner admired during a brief residence in Chartres, site of the famous French cathedral.
)
)
[field_permanent_catalog] => Array
(
[0] => Array
(
[value] => AG.1987.7.1
[safe] => AG.1987.7.1
[view] => AG.1987.7.1
)
)
[field_permanent_subtitle] => Array
(
[0] => Array
(
[value] =>
[safe] =>
[view] =>
)
)
[field_permanent_location] => Array
(
[0] => Array
(
[value] => American
[safe] => American
[view] => American
)
)
[field_permanent_life] => Array
(
[0] => Array
(
[value] => 1895 – 1978
[safe] => 1895 – 1978
[view] => 1895 – 1978
)
)
[field_permanent_year_c] => Array
(
[0] => Array
(
[value] => 2
[safe] => 2
[view] => No
)
)
[field_permanent_featured] => Array
(
[0] => Array
(
[value] => No
[safe] => No
[view] => No
)
)
[field_permanent_quote] => Array
(
[0] => Array
(
[value] => "I love the fact that you have to really ‘study’ the piece to see what the artist was trying to say. Also it is beautiful and different from The Cummer’s other works." - Wilma
[safe] => "I love the fact that you have to really ‘study’ the piece to see what the artist was trying to say. Also it is beautiful and different from The Cummer’s other works." <strong>- Wilma</strong>
[view] => "I love the fact that you have to really ‘study’ the piece to see what the artist was trying to say. Also it is beautiful and different from The Cummer’s other works." <strong>- Wilma</strong>
)
)
[current_revision_id] => 166
[is_current] => 1
[num_revisions] => 1
[revision_moderation] =>
[is_pending] =>
[_workflow] =>
[taxonomy] => Array
(
)
[page_title] =>
[nodewords] => Array
(
[abstract] => Array
(
[value] =>
)
[canonical] => Array
(
[value] =>
)
[copyright] => Array
(
[value] =>
)
[description] => Array
(
[value] =>
)
[keywords] => Array
(
[value] =>
)
[revisit-after] => Array
(
[value] => 1
)
[robots] => Array
(
[value] => Array
(
[noarchive] => 0
[nofollow] => 0
[noindex] => 0
[noodp] => 0
[nosnippet] => 0
[noydir] => 0
)
[use_default] => 0
)
[dc.contributor] => Array
(
[value] =>
)
[dc.creator] => Array
(
[value] =>
)
[dc.date] => Array
(
[value] => Array
(
[month] => 10
[day] => 21
[year] => 2011
)
)
[dc.title] => Array
(
[value] =>
)
[location] => Array
(
[latitude] =>
[longitude] =>
)
[pics-label] => Array
(
[value] =>
)
)
[build_mode] => 0
[readmore] => 1
[content] => Array
(
[#pre_render] => Array
(
[0] => content_alter_extra_weights
)
[#content_extra_fields] => Array
(
[title] => Array
(
[label] => Title
[description] => Node module form.
[weight] => 11
)
[body_field] => Array
(
[label] => Body
[description] => Node module form.
[weight] => 25
[view] => body
)
[revision_information] => Array
(
[label] => Revision information
[description] => Node module form.
[weight] => 30
)
[author] => Array
(
[label] => Authoring information
[description] => Node module form.
[weight] => 29
)
[options] => Array
(
[label] => Publishing options
[description] => Node module form.
[weight] => 31
)
[menu] => Array
(
[label] => Menu settings
[description] => Menu module form.
[weight] => 17
)
[path] => Array
(
[label] => Path settings
[description] => Path module form.
[weight] => 32
)
[workflow] => Array
(
[label] => Workflow
[description] => Workflow module form
[weight] => 28
)
[nodewords] => Array
(
[label] => Meta tags
[description] => Meta tags fieldset.
[weight] => 10
)
)
[field_permanent_subtitle] => Array
(
[#type_name] => permanent_art
[#context] => full
[#field_name] => field_permanent_subtitle
[#post_render] => Array
(
[0] => content_field_wrapper_post_render
)
[#weight] => 12
[field] => Array
(
[#description] =>
[items] => Array
(
[0] => Array
(
[#formatter] => default
[#node] => stdClass Object
*RECURSION*
[#type_name] => permanent_art
[#field_name] => field_permanent_subtitle
[#weight] => 0
[#theme] => text_formatter_default
[#item] => Array
(
[value] =>
[safe] =>
[#delta] => 0
)
[#title] =>
[#description] =>
[#theme_used] => 1
[#printed] => 1
[#type] =>
[#value] =>
[#prefix] =>
[#suffix] =>
)
[#title] =>
[#description] =>
[#printed] => 1
)
[#single] => 1
[#attributes] => Array
(
)
[#required] =>
[#parents] => Array
(
)
[#tree] =>
[#context] => full
[#page] => 1
[#field_name] => field_permanent_subtitle
[#title] => Sub Title
[#access] => 1
[#label_display] => above
[#teaser] =>
[#node] => stdClass Object
*RECURSION*
[#type] => content_field
[#printed] => 1
)
[#title] =>
[#description] =>
[#printed] => 1
)
[field_permanent_location] => Array
(
[#type_name] => permanent_art
[#context] => full
[#field_name] => field_permanent_location
[#post_render] => Array
(
[0] => content_field_wrapper_post_render
)
[#weight] => 13
[field] => Array
(
[#description] =>
[items] => Array
(
[0] => Array
(
[#formatter] => default
[#node] => stdClass Object
*RECURSION*
[#type_name] => permanent_art
[#field_name] => field_permanent_location
[#weight] => 0
[#theme] => text_formatter_default
[#item] => Array
(
[value] => American
[safe] => American
[#delta] => 0
)
[#title] =>
[#description] =>
[#theme_used] => 1
[#printed] => 1
[#type] =>
[#value] =>
[#prefix] =>
[#suffix] =>
[#children] => American
)
[#title] =>
[#description] =>
[#children] => American
[#printed] => 1
)
[#single] => 1
[#attributes] => Array
(
)
[#required] =>
[#parents] => Array
(
)
[#tree] =>
[#context] => full
[#page] => 1
[#field_name] => field_permanent_location
[#title] => Permanent Art Location
[#access] => 1
[#label_display] => above
[#teaser] =>
[#node] => stdClass Object
*RECURSION*
[#type] => content_field
[#children] => American
[#printed] => 1
)
[#title] =>
[#description] =>
[#children] =>
)
[#title] =>
[#description] =>
[#children] =>
[#printed] => 1
)
[#single] => 1
[#attributes] => Array
(
)
[#required] =>
[#parents] => Array
(
)
[#tree] =>
[#context] => full
[#page] => 1
[#field_name] => field_permanent_image
[#title] => Permanent Image
[#access] => 1
[#label_display] => above
[#teaser] =>
[#node] => stdClass Object
*RECURSION*
[#type] => content_field
[#children] =>
[#printed] => 1
)
[#title] =>
[#description] =>
[#children] => Abraham Rattner's style of figurative expressionism combined traditional themes with the formal elements of Modernism. The theme of the crucifixion grew out of Rattner's reaction to World War II. For Rattner, the crucifixion became a symbol of man's condition. He included himself in this spiritual examination when he said, "It is myself that is on the cross, though I am attempting to express a universal theme-man's inhumanity to man." In Yellow Crucifixion Rattner shatters and reassembles the image of a figure on a golden cross. The brightly colored facets of thick paint and the delineating black lines are reminiscent of the Gothic stained glass windows Rattner admired during a brief residence in Chartres, site of the famous French cathedral.
[#title] => [#description] => [#printed] => 1 ) [field_permanent_gift] => Array ( [#type_name] => permanent_art [#context] => full [#field_name] => field_permanent_gift [#post_render] => Array ( [0] => content_field_wrapper_post_render ) [#weight] => 26 [field] => Array ( [#description] => [items] => Array ( [0] => Array ( [#formatter] => default [#node] => stdClass Object *RECURSION* [#type_name] => permanent_art [#field_name] => field_permanent_gift [#weight] => 0 [#theme] => text_formatter_default [#item] => Array ( [value] => Gift of Genny, Clifford, and Robert Ayers in Memory of Genevieve Schultz Ayers [safe] => Gift of Genny, Clifford, and Robert Ayers in Memory of Genevieve Schultz Ayers [#delta] => 0 ) [#title] => [#description] => [#theme_used] => 1 [#printed] => 1 [#type] => [#value] => [#prefix] => [#suffix] => [#children] => Gift of Genny, Clifford, and Robert Ayers in Memory of Genevieve Schultz Ayers ) [#title] => [#description] => [#children] => Gift of Genny, Clifford, and Robert Ayers in Memory of Genevieve Schultz Ayers [#printed] => 1 ) [#single] => 1 [#attributes] => Array ( ) [#required] => [#parents] => Array ( ) [#tree] => [#context] => full [#page] => 1 [#field_name] => field_permanent_gift [#title] => Permanent Gift [#access] => 1 [#label_display] => above [#teaser] => [#node] => stdClass Object *RECURSION* [#type] => content_field [#children] => Gift of Genny, Clifford, and Robert Ayers in Memory of Genevieve Schultz Ayers [#printed] => 1 ) [#title] => [#description] => [#children] => Abraham Rattner's style of figurative expressionism combined traditional themes with the formal elements of Modernism. The theme of the crucifixion grew out of Rattner's reaction to World War II. For Rattner, the crucifixion became a symbol of man's condition. He included himself in this spiritual examination when he said, "It is myself that is on the cross, though I am attempting to express a universal theme-man's inhumanity to man." In Yellow Crucifixion Rattner shatters and reassembles the image of a figure on a golden cross. The brightly colored facets of thick paint and the delineating black lines are reminiscent of the Gothic stained glass windows Rattner admired during a brief residence in Chartres, site of the famous French cathedral.
